(1954) \u00e7a\u011fda\u015f macar \u0259d\u0259biyyat\u0131n\u0131n \u0259n tan\u0131nm\u0131\u015f yaz\u0131\u00e7\u0131lar\u0131ndan biridir. Romanlar\u0131, essel\u0259ri v\u0259 f\u0259ls\u0259fi d\u00fc\u015f\u00fcnc\u0259l\u0259ri il\u0259 se\u00e7il\u0259n m\u00fc\u0259llif insan\u0131n t\u0259nhal\u0131\u011f\u0131, d\u00fcnyan\u0131n xaotikliyi, zaman, m\u0259hv v\u0259 m\u0259n\u0259vi axtar\u0131\u015f kimi m\u00f6vzulara m\u00fcraci\u0259t edir.<\/p>\n
Krasznahorkainin yarad\u0131c\u0131l\u0131\u011f\u0131nda \u0259n\u0259n\u0259vi s\u00fcjetd\u0259n \u00e7ox d\u00fc\u015f\u00fcnc\u0259, atmosfer v\u0259 insan\u0131n daxili d\u00fcnyas\u0131 \u00f6n plana \u00e7\u0131x\u0131r. Uzun, ritmik c\u00fcml\u0259l\u0259ri v\u0259 \u00f6z\u00fcn\u0259m\u0259xsus yaz\u0131 \u00fcslubu onun \u0259s\u0259rl\u0259rini dig\u0259r \u00e7a\u011fda\u015f Avropa \u0259d\u0259biyyat\u0131 n\u00fcmun\u0259l\u0259rind\u0259n f\u0259rql\u0259ndirir.<\/p>\n
Onun \u201cSatan Tango\u201d, \u201cMelanxoliyan\u0131n m\u00fcqavim\u0259ti\u201d, \u201cM\u00fcharib\u0259 v\u0259 m\u00fcharib\u0259\u201d kimi \u0259s\u0259rl\u0259ri beyn\u0259lxalq \u0259d\u0259bi m\u00fchitd\u0259 geni\u015f tan\u0131n\u0131r. Rejissor B\u00e9la Tarrla \u0259m\u0259kda\u015fl\u0131\u011f\u0131 n\u0259tic\u0259sind\u0259 b\u0259zi \u0259s\u0259rl\u0259ri kinoya da uy\u011funla\u015fd\u0131r\u0131l\u0131b v\u0259 bu filml\u0259r m\u00fc\u0259llifin yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131n d\u00fcnya miqyas\u0131nda tan\u0131nmas\u0131na t\u0259sir g\u00f6st\u0259rib.<\/p>\n
Krasznahorkai \u0259d\u0259biyyatla yana\u015f\u0131, m\u00fcasir d\u00fcnyan\u0131n m\u0259n\u0259vi v\u0259ziyy\u0259ti haqq\u0131nda d\u00fc\u015f\u00fcn\u0259n m\u00fc\u0259llifdir. Onun m\u0259tnl\u0259rind\u0259 insan\u0131n xaotik d\u00fcnya qar\u015f\u0131s\u0131nda m\u00f6vqeyi, \u00fcmid v\u0259 \u00fcmidsizlik, m\u0259d\u0259niyy\u0259tin taleyi kimi suallar daim \u00f6n plandad\u0131r.<\/p>\n
2025-ci ild\u0259 L\u00e1szl\u00f3 Krasznahorkai \u018fd\u0259biyyat \u00fczr\u0259 Nobel m\u00fckafat\u0131na layiq g\u00f6r\u00fcl\u00fcb. Nobel Komit\u0259si onun \u0259s\u0259rl\u0259rini apokaliptik d\u0259h\u015f\u0259tin i\u00e7ind\u0259 s\u0259n\u0259tin g\u00fcc\u00fcn\u00fc t\u0259sdiql\u0259y\u0259n t\u0259sirli v\u0259 uzaqg\u00f6r\u0259n yarad\u0131c\u0131l\u0131q kimi qiym\u0259tl\u0259ndirib.Krasznahorkainin \u0259d\u0259biyyat\u0131 oxucudan yaln\u0131z hadis\u0259l\u0259ri izl\u0259m\u0259yi deyil, d\u00fcnya v\u0259 insan haqq\u0131nda d\u00fc\u015f\u00fcnm\u0259yi t\u0259l\u0259b edir. M\u0259hz bu x\u00fcsusiyy\u0259t onu \u00e7a\u011fda\u015f Avropa \u0259d\u0259biyyat\u0131n\u0131n diqq\u0259t\u00e7\u0259k\u0259n m\u00fc\u0259llifl\u0259rind\u0259n birin\u0259 \u00e7evirir.<\/p>\n
imza.info<\/p>\n","protected":false},"excerpt":{"rendered":"
(1954) \u00e7a\u011fda\u015f macar \u0259d\u0259biyyat\u0131n\u0131n \u0259n tan\u0131nm\u0131\u015f yaz\u0131\u00e7\u0131lar\u0131ndan biridir. Romanlar\u0131, essel\u0259ri v\u0259 f\u0259ls\u0259fi d\u00fc\u015f\u00fcnc\u0259l\u0259ri il\u0259 se\u00e7il\u0259n m\u00fc\u0259llif insan\u0131n t\u0259nhal\u0131\u011f\u0131, d\u00fcnyan\u0131n xaotikliyi, zaman, m\u0259hv v\u0259 m\u0259n\u0259vi axtar\u0131\u015f kimi m\u00f6vzulara m\u00fcraci\u0259t edir. Krasznahorkainin yarad\u0131c\u0131l\u0131\u011f\u0131nda \u0259n\u0259n\u0259vi s\u00fcjetd\u0259n \u00e7ox d\u00fc\u015f\u00fcnc\u0259, atmosfer v\u0259 insan\u0131n daxili d\u00fcnyas\u0131 \u00f6n plana \u00e7\u0131x\u0131r. Uzun, ritmik c\u00fcml\u0259l\u0259ri v\u0259 \u00f6z\u00fcn\u0259m\u0259xsus yaz\u0131 \u00fcslubu onun \u0259s\u0259rl\u0259rini dig\u0259r \u00e7a\u011fda\u015f Avropa […]<\/p>\n","protected":false},"author":2,"featured_media":2443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,36,46],"tags":[],"class_list":["post-2442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","category-manset","category-mdniyyt"],"_links":{"self":[{"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts\/2442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2442"}],"version-history":[{"count":1,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts\/2442\/revisions"}],"predecessor-version":[{"id":2444,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts\/2442\/revisions\/2444"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/media\/2443"}],"wp:attachment":[{"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}