<\/p>\n
<\/p>\n
Nimfoman qad\u0131na az\u0259rbaycanl\u0131lar itin di\u015fisin\u0259 dedikl\u0259ri s\u00f6z\u00fc deyirl\u0259r. Bu, s\u00f6y\u00fc\u015fd\u00fcr. Lars fon Triyerin filminin ad\u0131n\u0131n az\u0259rbaycancaya bu sayaq t\u0259rc\u00fcm\u0259si, m\u0259nc\u0259, d\u0259qiq ola bilir, \u00e7\u00fcnki mahiyy\u0259ti tam ifad\u0259 el\u0259m\u0259y\u0259 qabildir. Bu s\u00f6z milli roman\u00e7\u0131l\u0131qda h\u0259rd\u0259nbir i\u015fl\u0259dils\u0259 d\u0259, ara-s\u0131ra Az\u0259rbaycan kinofilml\u0259rind\u0259n, Az\u0259rbaycan s\u0259hn\u0259sind\u0259n e\u015fidils\u0259 d\u0259, m\u0259n o s\u00f6zd\u0259n xo\u015flanm\u0131ram; hesab el\u0259yir\u0259m ki, \u00fczq\u0131zardan bir s\u00f6zd\u00fcr. Ona g\u00f6r\u0259 burada h\u0259min s\u00f6z\u00fc i\u015fl\u0259tm\u0259yi \u00f6z\u00fcm\u0259, yaz\u0131ma v\u0259 oxuculara yara\u015fd\u0131rmad\u0131m. He\u00e7 q\u00fcsura yozmay\u0131n!<\/p>\n
Amma \u00f6z aram\u0131zda qals\u0131n, bu d\u0259f\u0259 Triyer intellektual blef el\u0259yib, Avropan\u0131 aldad\u0131b v\u0259 sanki b\u00fct\u00fcn kinomanlar\u0131, \u015f\u00fcnaslar\u0131 Q\u0259rb m\u0259d\u0259niyy\u0259tinin labirintin\u0259 sal\u0131b, a\u011f sap\u0131n sahib\u0259si Ariadnan\u0131 is\u0259 nimfoman qad\u0131n el\u0259yib, \u0259n qutsal ideyalar\u0131n \u00fcst\u00fcnd\u0259n iki \u00e7arpaz x\u0259tt \u00e7\u0259kib.<\/p>\n
B\u00fct\u00fcn ideyalar\u0131 insan beyni do\u011fur.<\/p>\n
T\u0259bi\u0259t he\u00e7 bir ideya tan\u0131m\u0131r.<\/p>\n
He\u00e7 bir ideya da insan\u0131n \u0259z\u0259li xisl\u0259tin\u0259 tablam\u0131r. Xisl\u0259t yem\u0259y\u0259, n\u0259sil art\u0131rma\u011fa proqramla\u015fd\u0131r\u0131l\u0131b. Halbuki insan\u0131nn xisl\u0259tind\u0259 dala\u015fmaq da var\u2026 \u018fslind\u0259, bu dala\u015fmaq el\u0259 doymaq, n\u0259sil art\u0131rmaq instiktinin \u0259n qabar\u0131q \u0259lam\u0259ti; dala\u015fmal\u0131san ki, s\u0259n\u0259 yem\u0259k \u00e7ats\u0131n; dala\u015fmal\u0131san ki, di\u015fiy\u0259 sahib \u00e7\u0131xasan; dala\u015fmal\u0131san ki, s\u0259n\u0259 m\u0259nsub m\u0259kan\u0131 qoruyasan. Dala\u015fa-dala\u015fa \u00f6z\u00fcn\u00fc s\u00fcbut el\u0259yirs\u0259n, dala\u015fa-dala\u015fa \u00f6z\u00fcn\u00fc m\u0259hv el\u0259yirs\u0259n: dala\u015fark\u0259n qazan\u0131rsan, qazana-qazana is\u0259 itirirs\u0259n. Dala\u015fmal\u0131san ki, diri qalasan; \u00e7ox dala\u015fd\u0131qca \u00f6l\u00fcm\u0259 daha tez yax\u0131nla\u015f\u0131rsan.<\/p>\n
V\u0259 bu t\u00f6vr xisl\u0259t h\u0259mi\u015f\u0259 biziml\u0259dir\u2026 sonacan biziml\u0259dir\u2026 v\u0259 el\u0259 bir q\u00fcvv\u0259 yoxdur ki, bunun qar\u015f\u0131s\u0131n\u0131 als\u0131n, proqram\u0131 ger\u00e7\u0259kl\u0259\u015fdirm\u0259kd\u0259 xisl\u0259t\u0259 mane olsun\u2026<\/p>\n
Bir t\u0259k m\u0259d\u0259niyy\u0259td\u0259n ba\u015fqa\u2026<\/p>\n
M\u0259d\u0259niyy\u0259t insan xisl\u0259tin\u0259 geydirilmi\u015f buruntaq qismind\u0259dir. Bu buruntaq ideyalardan, fikirl\u0259rd\u0259n tor kimi toxunur. M\u0259d\u0259niyy\u0259t ideyalar zibilliyidir v\u0259 ya zibil ideyalar\u0131n n\u0259sn\u0259l\u0259rd\u0259 ger\u00e7\u0259kl\u0259\u015fm\u0259sidir. Lakin b\u0259\u015f\u0259riyy\u0259t insan m\u00fcnasib\u0259tl\u0259rini, birg\u0259ya\u015fay\u0131\u015f\u0131 m\u0259d\u0259niyy\u0259td\u0259n daha yax\u015f\u0131 t\u0259nziml\u0259y\u0259c\u0259k dig\u0259r bir vasit\u0259 h\u0259l\u0259 ki tapa bilm\u0259yib. Bu buruntaq ideyas\u0131 da insana m\u0259xsusdur: o \u00f6z\u00fcn\u00fc v\u0259 toplumu idar\u0259 el\u0259m\u0259k \u00fc\u00e7\u00fcn, \u00f6z\u00fcn\u00fc s\u0131\u011fortalamaq \u00fc\u00e7\u00fcn, \u00f6z\u00fcn\u00fc ba\u015fqalar\u0131ndan, ba\u015fqalar\u0131n\u0131 da \u00f6z\u00fcnd\u0259n qorumaq \u00fc\u00e7\u00fcn burunta\u011f\u0131 fikirl\u0259\u015fib tap\u0131b. Ona g\u00f6r\u0259 d\u0259 insanlar m\u0259d\u0259niyy\u0259ti (\u00f6z burunta\u011f\u0131n\u0131) \u00e7ox sevirl\u0259r: \u00e7\u00fcnki \u00f6z ideyalar\u0131na \u00f6z balalar\u0131 kimi yana\u015f\u0131\u015frlar v\u0259 m\u0259d\u0259niyy\u0259ti ideyalar\u0131n, fikirl\u0259rin t\u0259c\u0259ss\u00fcm m\u0259kan\u0131 kimi g\u00f6r\u00fcrl\u0259r; azadl\u0131\u011f\u0131 m\u0259d\u0259niyy\u0259td\u0259 g\u00f6r\u00fcrl\u0259r, azadl\u0131\u011f\u0131 m\u0259d\u0259niyy\u0259tin i\u00e7ind\u0259 m\u0259qbul bilirl\u0259r, m\u0259d\u0259niyy\u0259td\u0259n k\u0259nar azadl\u0131\u011f\u0131 anarxiya say\u0131rlar\u2026<\/p>\n
Amma yen\u0259 f\u0259rq el\u0259mir: m\u0259d\u0259niyy\u0259t insan\u0131n \u0259z\u0259li xisl\u0259tin\u0259 h\u0259r d\u0259f\u0259 g\u00fcz\u0259\u015ft\u0259 ged\u0259-ged\u0259 \u00f6z\u00fcn\u00fc t\u0259z\u0259d\u0259n qurma\u011fa, t\u0259z\u0259d\u0259n sisteml\u0259\u015fdirm\u0259y\u0259 m\u0259cbur olur v\u0259 \u0259g\u0259r bel\u0259 dem\u0259k m\u00fcmk\u00fcns\u0259, xisl\u0259tin naz\u0131 il\u0259 oynay\u0131r. Xisl\u0259t d\u0259yi\u015fmir; m\u0259d\u0259niyy\u0259t is\u0259 texnologiyalara uy\u011fun buruntaqlar\u0131 d\u0259yi\u015fir.<\/p>\n
Q\u0259rib\u0259dir, sit\u0259l\u0259ri a\u00e7an kimi seksual v\u0259 cinay\u0259t ba\u015fl\u0131ql\u0131, qalmaqal xarakterli man\u015fetl\u0259r\u0259 \u00e7oxluq yen\u0259 h\u0259r \u015feyd\u0259n \u00f6nc\u0259 g\u00f6z at\u0131r; bax\u0131b yeni bir \u015fey g\u00f6rm\u0259y\u0259c\u0259yini, \u00f6yr\u0259nm\u0259y\u0259c\u0259yini bils\u0259 d\u0259, yen\u0259 bax\u0131r. Bu, xisl\u0259tdir, t\u0259bi\u0259tdir: o n\u0259sn\u0259l\u0259r ki, insanlar\u0131 lap q\u0259dim zamanlarda birinci n\u00f6vb\u0259d\u0259 maraqland\u0131r\u0131rd\u0131, XXI y\u00fczild\u0259 d\u0259 eynil\u0259 maraqland\u0131r\u0131r.<\/p>\n
\u201cNimfoman qad\u0131n\u201d filminin ad\u0131 da reklam effektli man\u015fet kimi bir \u015feydir: Triyer fikirl\u0259ril\u0259 payla\u015fmaq \u00fc\u00e7\u00fcn seyr\u00e7i toplama\u011fa \u00e7al\u0131\u015f\u0131r, seyr\u00e7i \u00fc\u00e7\u00fcn t\u0259l\u0259 qurur, onun diqq\u0259tini seksd\u0259 fokusla\u015fd\u0131r\u0131r. \u018fslind\u0259 is\u0259 filmd\u0259 seksual, erotik he\u00e7 n\u0259 yoxdur, \u00e7oxsayl\u0131 \u00f6t\u0259ri pornoqrafik g\u00f6r\u00fcnt\u00fcl\u0259r var; onlar da anatomiya d\u0259rsl\u0259rind\u0259 g\u00f6rd\u00fckl\u0259rimizd\u0259n o yana getmir.<\/p>\n
Film labirintdir v\u0259 bu labirint Selihm\u0259nin labirintidir, onun \u00f6z\u00fc \u00fc\u00e7\u00fcn m\u00fc\u0259yy\u0259nl\u0259\u015fdirdiyi m\u0259d\u0259niyy\u0259t labirintidir, fikir labirintidir, intellekt labirintidir, maarif\u00e7ilik labirintidir. Selihm\u0259n bu labirintd\u0259 ili\u015fib qalm\u0131\u015f v\u0259 qocalm\u0131\u015f Tesey-Minotavrd\u0131r v\u0259 bu Tesey-Minotavr \u00f6z\u00fcn\u00fc \u0259sl insanp\u0259rv\u0259r, \u0259sl xilaskar kimi qavray\u0131r. Bu, yaln\u0131z Selihm\u0259nin \u015f\u00fcurunda bel\u0259dir; reall\u0131\u011f\u0131n t\u0259klif etdiyi v\u0259ziyy\u0259td\u0259 o nec\u0259 olacaq, hans\u0131 h\u0259dd\u0259 q\u0259d\u0259r insan qalacaq bilinmir.\u00a0 Bax, budur bitm\u0259y\u0259n oyun, bitm\u0259y\u0259n t\u0259krarlar, bitm\u0259y\u0259n aldan\u0131\u015flar\u2026<\/p>\n
Bir yad\u0131n\u0131za sal\u0131n, film nec\u0259 ba\u015flay\u0131r\u2026 \u00e7ox teatralcas\u0131na qurulmu\u015f r\u0259ngli divar-d\u00f6ng\u0259l\u0259r aras\u0131nda Selihm\u0259n (Stellan Skaashod) d\u00fckandan \u00e7\u0131x\u0131b yoluna davam edir, bir si\u00e7an kimi asta-asta, ehtiyatla g\u0259zir k\u00fc\u00e7\u0259ni v\u0259 bird\u0259n kiml\u0259rins\u0259 \u0259zi\u015fdirdiyi, \u00fcz-g\u00f6z\u00fc qan i\u00e7ind\u0259 \u00e7ox teatralcas\u0131na uzanm\u0131\u015f orta ya\u015fl\u0131 bir qad\u0131n a\u015fkarlay\u0131r v\u0259 t\u0259r\u0259dd\u00fcds\u00fcz-filans\u0131z onu evin\u0259 g\u0259tirir, baxmayaraq ki qad\u0131n t\u0259kidl\u0259 ambulansdan imtina edir\u2026<\/p>\n
Aha, a\u015f\u0131r\u0131 alic\u0259nabl\u0131q, xeyirxahl\u0131q jesti v\u0259 bir batman l\u00fctfkarl\u0131q\u2026 M\u0259d\u0259niyy\u0259tin yaratd\u0131\u011f\u0131 insan\u2026 Sonras\u0131 dinc\u0259lm\u0259kdir, bir fincan \u00e7ayd\u0131r v\u0259 tan\u0131\u015fl\u0131q. Qad\u0131n\u0131n ad\u0131 Codur (\u015earlotta Gensbur) v\u0259 o, san\u0131r ki, \u00f6z \u0259xlaq\u0131na g\u00f6r\u0259, \u00f6z arams\u0131z seksual ist\u0259kl\u0259rin\u0259 g\u00f6r\u0259 h\u0259yat\u0131n dibind\u0259dir v\u0259 Selihman\u0131n bu c\u00fcr qay\u011f\u0131s\u0131na layiq deyil.<\/p>\n
V\u0259ssalam, bundan o yanas\u0131 iki n\u0259f\u0259rin nimda\u015f bir m\u0259nzild\u0259 ger\u00e7\u0259kl\u0259\u015f\u0259n dialoqudur, s\u00f6hb\u0259t zaman\u0131 predmetl\u0259rin \u015f\u00fcuralt\u0131dan tutub qopartd\u0131\u011f\u0131 seksual xarakterli ya\u015fant\u0131-hadis\u0259l\u0259rdir. Bu seksuall\u0131q he\u00e7 k\u0259s\u0259 toxunmur, he\u00e7 bir duy\u011fu oyatm\u0131r: \u00e7\u00fcnki arxas\u0131nda ironiya, sarkazmla aktualla\u015fan \u00f6zg\u0259l\u0259\u015fm\u0259, yadla\u015fma m\u0259saf\u0259si var, epik s\u00f6yl\u0259nti m\u0259saf\u0259si var, etiraf m\u0259saf\u0259si var; seksual g\u00fcnahlar\u0131n etiraf\u0131 var, etiraf\u0131n emosional t\u0259fsilat\u0131 yox.<\/p>\n
Maarif\u00e7iliyin dilemmas\u0131: borc yoxsa duy\u011fu; v\u0259t\u0259nda\u015f yoxsa insan? V\u0259 klassisizmin estetik qanunu: hadis\u0259 m\u0259nzild\u0259 v\u0259 24 saata oynan\u0131l\u0131r; praktiki \u015f\u0259kid\u0259 he\u00e7 n\u0259 ba\u015f vermir: Co n\u0259ql edir, Selihm\u0259n qulaq as\u0131r v\u0259 ax\u0131rda Co \u00f6z xilaskar\u0131 Selihm\u0259ni \u00f6ld\u00fcr\u00fcr. Klassisizmd\u0259n absurd m\u00fcst\u0259visin\u0259 f\u00f6vq\u0259l s\u0131\u00e7ray\u0131\u015f.<\/p>\n
Faktiki olaraq, Selihm\u0259ni \u201ctutmaq\u201d, \u201cili\u015fdirm\u0259k\u201d, \u201cyoxlamaq\u201d \u00fc\u00e7\u00fcn nimfoman qad\u0131n rejissor v\u0259 ssenari m\u00fc\u0259llifi Lars fon Triyerin qarma\u011fa taxd\u0131\u011f\u0131 \u201cyem\u201ddir, onun \u0259sl kimliyini m\u00fc\u0259yy\u0259nl\u0259\u015fdirm\u0259k \u00fc\u00e7\u00fcn istifad\u0259 edil\u0259n bir test-krossvorddur. Ona g\u00f6r\u0259 ki, Selihm\u0259n \u00f6z xisl\u0259ti m\u0259d\u0259niyy\u0259tin payla\u015fd\u0131\u011f\u0131 ideyalarla, normalarla \u201ccilovlay\u0131b\u201d ya\u015fay\u0131b, ya\u015fl\u0131 bir adam olsa da, bakir\u0259 qal\u0131b, qad\u0131na b\u0259lk\u0259 d\u0259 he\u00e7 toxunmay\u0131b, bitki m\u0259n\u015f\u0259li n\u0259sn\u0259l\u0259rl\u0259 qidalanma\u011f\u0131 \u00fcst\u00fcn say\u0131b, amma din\u0259 ba\u011flanmay\u0131b, ateist qal\u0131b, ideyan\u0131 se\u00e7ib, m\u0259d\u0259niyy\u0259tin labirintl\u0259rind\u0259 f\u0131rlanmaqdan, bu labirintl\u0259rd\u0259 dola\u015fan m\u00fcxt\u0259lif fikirl\u0259rd\u0259n h\u0259zz ala-ala ya\u015fay\u0131b.<\/p>\n
\u0130ndis\u0259 nimfoman qad\u0131n\u2026 onun bula\u015fd\u0131\u011f\u0131 b\u00fct\u00fcn ehtirasl\u0131 g\u00fcnahlar\u2026 Selihm\u0259nin qar\u015f\u0131s\u0131ndad\u0131r v\u0259 onun \u00fc\u00e7\u00fcn bir fayl kimi a\u00e7\u0131l\u0131r. O bu g\u00fcnahlar\u0131 e\u015fidir v\u0259 g\u00f6r\u00fcr. Selihm\u0259n bu seksual g\u00fcnahlar\u0131n ac\u0131d\u0131r. Co dan\u0131\u015fd\u0131qca (\u201c1001 gec\u0259\u201d na\u011f\u0131l\u0131d\u0131rm\u0131 bu?) o, daha \u00e7ox \u00f6yr\u0259nm\u0259y\u0259, daha \u00e7ox e\u015fitm\u0259y\u0259 meyll\u0259nir. Guya ki Selihm\u0259n bir ke\u015fi\u015fdir (b\u0259lk\u0259 yaz\u0131\u00e7\u0131d\u0131r?), Conu dinl\u0259yib onun g\u00fcnahlar\u0131n\u0131 ba\u011f\u0131\u015flayacaq (v\u0259 ya \u00f6z t\u0259dqiqat\u0131n\u0131n analitik material\u0131na \u00e7evir\u0259c\u0259k). H\u0259qiq\u0259td\u0259 is\u0259 Conun etiraflar\u0131 Selihm\u0259nin \u015f\u00fcuralt\u0131 q\u0131c\u0131qlar\u0131n\u0131 ovundurur v\u0259 Co bunu hiss edib \u00f6z s\u00f6hb\u0259tini, \u00f6z seksual h\u0259yat\u0131n\u0131n olaylar\u0131n\u0131 he\u00e7 n\u0259 il\u0259 p\u0259rd\u0259l\u0259mir, he\u00e7 n\u0259yi Selihm\u0259nd\u0259n gizl\u0259tmir\u2026<\/p>\n
Co uydurur, seksual fantaziyalar\u0131n\u0131 dan\u0131\u015f\u0131r, yoxsa do\u011fru deyir, konkret m\u0259lum olmur. Olsun ki, ona he\u00e7 etiraf da laz\u0131m deyil. Burada, sad\u0259c\u0259, ikit\u0259r\u0259fli oyun gedir.<\/p>\n
Selihm\u0259nin oyunu: qad\u0131nla n\u0259 ba\u015f verib, o niy\u0259 bu k\u00f6kd\u0259dir v\u0259 bir nimfoman kimi n\u0259l\u0259rd\u0259n ke\u00e7ib.<\/p>\n
Conun oyunu: bu ya\u015fl\u0131 insan t\u0259m\u0259nnas\u0131zd\u0131rm\u0131, dedikl\u0259ri \u0259m\u0259lin\u0259 uy\u011fundurmu v\u0259 o m\u0259nd\u0259n n\u0259 ist\u0259yir\u2026<\/p>\n
V\u0259 qad\u0131n dan\u0131\u015f\u0131r, dan\u0131\u015f\u0131r, dan\u0131\u015f\u0131r, h\u0259r \u015feyi dan\u0131\u015f\u0131r, seksual ya\u015fant\u0131lar\u0131n cikini-bikini d\u0259 dan\u0131\u015f\u0131r. Selihm\u0259n is\u0259 dinl\u0259yir, dinl\u0259yir, dinl\u0259yir v\u0259 s\u00f6hb\u0259t i\u00e7ind\u0259 Conun dedil\u0259rin\u0259 m\u0259d\u0259niyy\u0259t al\u0259mind\u0259 paralell\u0259r axtar\u0131r\u2026 b\u0259lk\u0259 d\u0259 nimfoman qad\u0131n\u0131n b\u0259ra\u0259tini axtar\u0131r ki, niy\u0259 o bel\u0259 olub\u2026<\/p>\n
Amma gec\u0259 Selihm\u0259n d\u00f6z\u0259mmir, gec\u0259nin qaranl\u0131\u011f\u0131nda yuxulam\u0131\u015f Conun yar\u0131\u00e7\u0131lpaq yamb\u0131zlar\u0131n\u0131 g\u00f6r\u00fcr v\u0259 qad\u0131na t\u0259cav\u00fcz el\u0259m\u0259k ist\u0259y\u0259nd\u0259 aln\u0131na bir g\u00fcll\u0259 al\u0131r. Ekran qaranl\u0131qla\u015f\u0131r.<\/p>\n
Bu kadr b\u00fct\u00fcn filmi v\u0259 bizim fikirl\u0259rimizi alt-\u00fcst el\u0259yir. Bayaqdan nimfoman qad\u0131n Co d\u0259ccal kimi, b\u0259dheyb\u0259t kimi, ehtiras\u0131n k\u00f6l\u0259si kimi, poz\u011funluq x\u0259st\u0259si kimi bizim i\u00e7imizi nifr\u0259t modusuna k\u00f6kl\u0259mi\u015fdi. \u0130ndis\u0259 h\u0259min modusa Selihm\u0259n d\u00fc\u015f\u00fcr. \u00c7\u00fcnki o, Codan daha qorxuncdur, \u00f6mr\u00fc boyu anti-ehtirasa oynayaraq, \u0259slind\u0259, ehtiras \u00f6l\u00fcs\u00fc olub, hans\u0131sa \u0259xlaqi ehkamlar\u0131 \u00f6z\u00fcn\u0259 bayraq el\u0259yib, orada gizl\u0259nib, amma yen\u0259 \u00f6z xisl\u0259tin\u0259 qalib g\u0259l\u0259 bilm\u0259yib. Bu m\u0259qamda Co haradasa ruhsal bir missioner kimi \u00e7\u0131x\u0131\u015f ed\u0259n Selihm\u0259ni \u00fcst\u0259l\u0259yir. Nimfoman qad\u0131n b\u0259d\u0259ninin arxas\u0131nca gedib, he\u00e7 kimi aldatmay\u0131b, yalan m\u0259n\u0259vi moiz\u0259l\u0259r oxumay\u0131b v\u0259 o, raz\u0131 ola bilm\u0259z ki, kims\u0259 onu zorlas\u0131n; \u0259l\u0259lx\u00fcsus da, \u0259g\u0259r bu adam onun etiraflar\u0131n\u0131 dinl\u0259mi\u015f ruhsal bir kims\u0259dirs\u0259\u2026<\/p>\n
\u00d6z\u00fcn\u00fcz se\u00e7in: \u201cburuntaqs\u0131z\u201d Co, yoxsa \u201cburuntaql\u0131\u201d Selihm\u0259n: kim daha do\u011fru\u00e7udur?<\/p>\n
Bu, Lars fon Triyerin m\u0259d\u0259niyy\u0259t\u0259, insan xisl\u0259tini he\u00e7 c\u00fcr \u00f6z\u00fcn\u0259 tabe etdir\u0259 bilm\u0259y\u0259n m\u0259d\u0259niyy\u0259t\u0259\u00a0 \u00fcnvanlad\u0131\u011f\u0131 bir ittihamd\u0131r.<\/p>\n
\u00c7oxlar\u0131 Triyeri su\u00e7land\u0131r\u0131rd\u0131 ki, o, pornoqragfik film \u00e7\u0259kib: amma he\u00e7 yax\u0131n\u0131ndan da ke\u00e7m\u0259yib. H\u0259tta\u00a0 kinorejissor apriori soyuq aseksual faktural\u0131 aktyorlardan faydalan\u0131b bu filmd\u0259. Bu, ilk n\u00f6vb\u0259d\u0259, \u015earlotta Gensbura v\u0259 Stellan Skaashoda aiddir. Aktrisan\u0131n i\u00e7 z\u0259nginliyi o q\u0259d\u0259rdir ki, seyr\u00e7i nimfoman qad\u0131n\u0131n bir b\u0259d\u0259n kimi \u201cucuzla\u015fd\u0131\u011f\u0131n\u0131\u201d g\u00f6rs\u0259 d\u0259, onun ruhunun kirl\u0259ndiyini duymur.<\/p>\n
Amma bir d\u0259qiq\u0259: nimfoman qad\u0131n ax\u0131rda qatil\u0259 \u00e7evrilir ax\u0131, \u00f6z\u00fc d\u0259 \u0259n g\u00fcnahs\u0131z adam\u0131n qatilin\u0259?..<\/p>\n
Qad\u0131n \u00f6z h\u00fcququna g\u00f6r\u0259 Selihm\u0259ni \u00f6ld\u00fcrd\u00fc yoxsa ideal\u0131 korlanma\u011fa, Selihhm\u0259ni murdar olma\u011fa qoymad\u0131?<\/p>\n
Y\u0259ni son kadrda da Triyer birm\u0259nal\u0131 deyil\u2026<\/p>\n
Q\u0259ddar filmdir bu film\u2026 insan xisl\u0259tin\u0259 bir fa\u015fist kimi q\u0131m\u0131\u015fan bir filmdir bu film\u2026 A\u011f\u0131r bax\u0131l\u0131r, dar\u0131xd\u0131r\u0131c\u0131d\u0131r v\u0259 t\u0259ng\u0259 g\u0259tirir, \u00e7\u00fcnki Triyer insan\u0131 iyr\u0259nc zibil pal\u00e7\u0131\u011f\u0131n\u0131n i\u00e7ind\u0259 yaxalay\u0131b onun ruhunu da \u201csoyundurmaqla\u201d m\u0259\u015f\u011fuldur, \u201cdo\u011frunun h\u0259qiq\u0259ti\u201d namin\u0259 insan psixolojisin\u0259 i\u015fg\u0259nc\u0259 verm\u0259kl\u0259 m\u0259\u015f\u011fuldur v\u0259 bu, haradasa m\u00fcasir m\u0259d\u0259niyy\u0259t d\u00fcnyas\u0131nda kulturoloji aksiyad\u0131r\u2026<\/p>\n
\u00c7a\u011fda\u015f kino elitas\u0131 deyir ki, bu, Lars\u0131n \u201cDepressiya trilogiyas\u0131\u201dn\u0131n sonuncu filmidir: \u0259vv\u0259lincil\u0259r \u201cD\u0259ccal\u201d v\u0259 \u201cMelanxoliya\u201d olub v\u0259 bu, \u0259slind\u0259, Avropa m\u0259d\u0259niyy\u0259tin\u0259 \u201cpsixoanalitik bir s\u0259yah\u0259tdir\u201d; h\u0259r\u00e7\u0259nd bu s\u0259yah\u0259t zaman\u0131 XX \u0259sr sinematoqrafiyas\u0131n\u0131n Viskonti, Pazolini, Tarkovski, Kusturisa kimi rejissorlar\u0131n\u0131n kino d\u00fcnyas\u0131 da g\u00f6r\u00fcn\u00fcr. Do\u011frusu, onun \u201cQaranl\u0131q i\u00e7ind\u0259 r\u0259qs ed\u0259n\u201d, \u201cDoqvil\u201d filml\u0259rind\u0259 d\u0259 depressiya boydand\u0131r. N\u0259dir bu depressiv kinot\u0259hkiy\u0259nin s\u0259b\u0259bi: insan\u0131n ruhsal\u0131\u011f\u0131na olan inam\u0131n itirilm\u0259si. H\u0259r bir depressiyan\u0131n k\u00f6k\u00fc \u00f6z\u00fcn\u0259 yaz\u0131\u011f\u0131 g\u0259lm\u0259k duy\u011fusundan su i\u00e7ir. \u00d6z\u00fcn\u0259 yaz\u0131\u011f\u0131 g\u0259l\u0259nd\u0259 is\u0259 insan daha \u00e7ox Vaqner romantizminin i\u00e7in\u0259 d\u00fc\u015f\u00fcr v\u0259 teatralla\u015f\u0131r. Ona g\u00f6r\u0259 d\u0259 Triyerin kino m\u0259kan\u0131nda depressiya il\u0259 yana\u015f\u0131 h\u0259mi\u015f\u0259 bir teatrall\u0131q add\u0131mlay\u0131r. Onun filml\u0259rinin insan\u0131 apriori teatral insand\u0131r v\u0259 h\u0259r \u015feyi teatralla\u015fd\u0131rma\u011fa meyllidir.<\/p>\n
Bu, m\u0259d\u0259niyy\u0259tin \u00f6z\u00fcn\u00fcn teatrall\u0131\u011f\u0131d\u0131r, \u00e7\u0131lpaq insan\u0131 geyindirm\u0259y\u0259 ba\u015flam\u0131\u015f m\u0259d\u0259niyy\u0259tin teatrall\u0131\u011f\u0131d\u0131r. Teatrall\u0131q is\u0259 i\u015far\u0259l\u0259rin bollu\u011fu v\u0259 s\u0131xl\u0131\u011f\u0131d\u0131r, h\u0259yat\u0131 teatrla \u0259v\u0259zl\u0259m\u0259k c\u0259hdidir: \u00e7\u00fcnki s\u0259n teatrda n\u0259yin n\u0259 vaxt qurtaraca\u011f\u0131n\u0131 t\u0259xmin edib \u00f6z\u00fcn\u00fc h\u0259yat\u0131n g\u00f6zl\u0259nilm\u0259z olaylar\u0131ndan guya qism\u0259n d\u0259 olsa s\u0131\u011fortalaya bilirs\u0259n, y\u0259ni \u00f6z\u00fcn \u00f6z\u00fcnl\u0259 teatr-teatr oynay\u0131b \u00f6z\u00fcn\u00fc aldad\u0131rsan.<\/p>\n
Lars fon Triyerin kinod\u00fcnyas\u0131 m\u00f6ht\u0259\u015f\u0259mc\u0259sin\u0259 teatrald\u0131r: o, teatr\u0131 yenid\u0259n kinoya qaytarm\u0131\u015f, daha do\u011frusu, kinonu maksimal d\u0259r\u0259c\u0259d\u0259 teatralla\u015fd\u0131rm\u0131\u015f dahi mistifikatordur.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nimfoman qad\u0131na az\u0259rbaycanl\u0131lar itin di\u015fisin\u0259 dedikl\u0259ri s\u00f6z\u00fc deyirl\u0259r. Bu, s\u00f6y\u00fc\u015fd\u00fcr. Lars fon Triyerin filminin ad\u0131n\u0131n az\u0259rbaycancaya bu sayaq t\u0259rc\u00fcm\u0259si, m\u0259nc\u0259, d\u0259qiq ola bilir, \u00e7\u00fcnki mahiyy\u0259ti tam ifad\u0259 el\u0259m\u0259y\u0259 qabildir. Bu s\u00f6z milli roman\u00e7\u0131l\u0131qda h\u0259rd\u0259nbir i\u015fl\u0259dils\u0259 d\u0259, ara-s\u0131ra Az\u0259rbaycan kinofilml\u0259rind\u0259n, Az\u0259rbaycan s\u0259hn\u0259sind\u0259n e\u015fidils\u0259 d\u0259, m\u0259n o s\u00f6zd\u0259n xo\u015flanm\u0131ram; hesab el\u0259yir\u0259m ki, \u00fczq\u0131zardan bir s\u00f6zd\u00fcr. […]<\/p>\n","protected":false},"author":2,"featured_media":1743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,45,58,46,50,1],"tags":[],"class_list":["post-1798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","category-edbiyyat","category-layihlr","category-mdniyyt","category-mulliflr","category-son-xbrlr"],"_links":{"self":[{"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts\/1798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1798"}],"version-history":[{"count":2,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts\/1798\/revisions"}],"predecessor-version":[{"id":1801,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/posts\/1798\/revisions\/1801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=\/wp\/v2\/media\/1743"}],"wp:attachment":[{"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imza.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}